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| 2nd Global Conference
Wednesday 3rd September - Saturday 6th September
2008 Conference Programme, Abstracts and Papers Session 12: Social Constructions of Identity
Using Michael Chapman’s recently published (2003) literary history, Southern African Literatures as point of departure, this contribution considers the process of cultural transformation in South Africa inspired by radical political change – from a society characterized by the racially and ethnically divisive ideology of apartheid to a constitutional democracy characterized by an ideology of inclusion and multiculturalism. Departing from a literary sociological point of view, I will focus on the complexity of the South African literary field, where different competing processes of constructing literary value exist, which are indicative of struggles about cultural value within a context of contested ideological power, which ultimately underlies identity formation and politics. I will argue, for example, that Chapman’s literary history constructs an alternative (multi)cultural identity in line with a newly dominant political ideology that has redrawn the lines of socio-cultural inclusion and exclusion. During a period when authority, ownership and control over matters of cultural production and cultural identity were placed under severe scrutiny, it was to be expected that the choices and selections made by Chapman would be criticized, and I therefore also take into consideration reactions on Chapman’s literary history, representing different position-takings on the issue of aesthetics in the transfer of cultural values and the construction of cultural identity/identities and national/cultural loyalties. Download Draft Conference Paper - Dance, Rituals and the Performance of Transnational Identities: A Mexico-United States Case No abstract is presently available De-/ Re-constructed Jewish Identities in Post-Holocaust Europe and America My paper takes up a comparative view on individual identity as featured in three literary works that deal with traumatised Jewish youth in the aftermath of the Holocaust: Imre Kertesz’ Fateless (1992), Anne Michael’s Fugitive Pieces (1997), and W. G. Sebald’s Austerlitz (2002). As I intend to show, the trauma of the Holocaust forces an arbitrary process of identity deconstructionupon the juvenile characters’ incompletely developed selves, which triggers in their adult lives a need for self-reconstruction, essentially experienced against thoroughly altered cultural, historical and geographical backgrounds. These characters’ initial flight for their lives and concurrent transgression of various national borders, with all the tribulations that they entail, will be regarded as complex steps towards mapping a physical trajectory of inner change. Ultimately, this survival journey will be retraced and re-mapped in old age in an attempt to reconstruct, negotiate and reconcile with an original identity. |
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