Mapping Minds

Mapping Minds
Edited by Monika Raesch

Short Description

Mapping Minds features a select group of essays presented at the 4th Global Conference on Visual Literacies. Celebrating an interdisciplinary approach, this volume features work ranging, among others, from photography and video production studies to graffiti and film analysis with a variety of theoretical approaches.

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ISBN: 978-1-84888-047-4

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Key Words: Chorography, participatory photograph interview, teacher, mentor, mapping, national identity, Nellhouse Model, unsanctioned text, graffiti, photovoice, phenomenology, graphic novels, semiotics, creative block

Contents

Introduction
Monika Raesch

Part 1: Mapping Minds

The Contemporary Visual Literacy of Mapped Place: Chorographic Directions, Links and Analogies
Jill O’Sullivan

Understanding Migrant Visualisations of Family
John Watters

Therapeutic and Empowering Aspects of Visual Literacy Programs in Israeli High Schools
Jonathan M. Friesem

Building Opportunities for Learner-Centred Visual Literacy Development: A Technology Classroom Based Approach
Jane Pilling-Cormick & John Laverty

Student’s Concepts of Cinematic Literacy
Phil Fitzsimmons and Edie Lanphar

Part 2: Developing Consumer Understanding of Texts

Beyond the Surface: Image Affordances in Language Textbooks that affect National Identity Formation (NIF)
Natasa Lackovic

Visualising Theatre: Scenography from Concept to Design to Realisation
Sofia Pantouvaki

Representations of Cyprus: Impressions of Gender and Culture during British Rule (1878-1959)
Maria Photiou

Reading Gestures and Reading Codes: The Visual Literacy of Graffiti as both Physical/Performative Act and Digital Information Text
Tracey Bowen

Views from the Water’s Edge: The Impact of Images in Communicating Perspectives of Climate Change
Lisa Chandler & Claudia Baldwin

A Reaffirmation of the Embodied Experience of the Visual
Kerrie McCaw

Part 3: Critical Analysis of Media Texts and their Creation

Blurring the Boundaries: Creating New Genres?
Beverley Croker

Visual Pathography: Graphic Representations of Illness in David B.’s Epileptic
Evita Lykou

Form and Meaning: Non-Objectivity and Communication
Robert L. Craig

Predication in Actu and in Potentia: Probing into its Aesthetics
Flutur Troshani

Images of the Excluded: Ideology, Interpretation and Context
Jill Fernie-Clarke

Skin Deep: Visual Representations of White/British Identity and Black/Foreign Identity in Commercially Successful Popular British Cinema
Sheila F.T. Sandapen

Towards an Understanding of Creative Block
Josephine Telfer

About the Editor:

Monika Raesch, Ph.D., is Assistant Professor at Suffolk University in Boston, USA, where she teaches classes in film studies and in video production.